Ho Leng
— “The Great Expectation” in fragments

Peter Weiermair
Rede zur Eröffnung der Ausstellung Zenita Komad, Rosmarie Lukasser und Terry Fox am 29.01.2013

Christine Wetzlinger-Grundnig
— Harpyie (deutsch)
— Harpyie (english) 

Peter Gorsen
— The Supremacy of Ambivalent Feelings and
Coquetry with Things

— Die Macht der ambivalenten Gefühle und das Kokettieren mit den Dingen

Nathalie Hoyos
— 80 Days around the World. 10 Years of Zenita City.
— In 80 Tagen um die Welt. 10 Jahre Zenita City.

John Welchman
LBZK: Heart Mistresses

Himali Singh Soin
Eternally, I Am Your Yes – Zenita Komad

August Ruhs
— Back To The Roots oder Anleitung zur richtigen Wurzelbehandlung

Hans-Peter Wipplinger
— On the Insatiable Hunger of a Deeply-rooted Need to Visualise. An Attempt at a Localisation of the Artistic Practice of Zenita Komad.
Über den unstillbaren Hunger eines tief verwurzelten Vergegenwärtigungsbedürfnisses. Versuch einer Verortung der künstlerischen Praxis von Zenita Komad.

Markus Mittringer
— Dear z.
liebe z.
Überall ist Zenita City
— incensed
— im weihrau(s)ch
A solemn mass for the poor hubbles
— Feierliche Messe für die armen Hubbles

Lothar Schmidt
— Eulogy by Lothar
— Eloge von Lothar

Gerald Matt
— Canned Chess! Recollections on the Genesis of Zenita Komad’s “Operation Capablanca”.
— Schach der Konserve! Erinnerungen an die Genese von Zenita Komads Operation Capablanca.
— Interview: I use mayself as material …
— Interview: Ich verwende mich als Material …

Ingried Brugger
Statement (English)
Statement (German)

Margarita Thurn
The Soul of the Child
Kleider machen Leute

Peter Vuijca

Stefan Musil
Marias Pfeil

Lucas Gehrmann
Bildobjekte, Subjekt-Bilder
Poesie der Zeichen
Operation Capablanca, Music-dramatic
Moves with 264 Open Outcomes

Operation Capablanca, ein musikdramatischer
Felderzug mit 264 offenen Ausgängen

Alexander Pühringer
— And Zarathustra climbed back into the mountains, thus to speak no more.
Und Zarathustra geht zurück in die Berge und schweigt

Franz Graf
— Kampfzone

Helen Chang Morris
God Speed your Tongue

Peter Noever
Quotes / Zitate

Ursula Krinzinger
In Conversation with Zenita Komad 

Johannes Rauchenberger
God is Not Nothing (Interview with Zenita Komad)
Interview zur Ausstellung „I Love God“
Be Light unto the World (Galerie Gölles)
Sei Licht für die Welt (Galerie Gölles)

Danielle Spera
Salvation cannot be bought
Seelenheil kann man nicht kaufen

Almuth Spiegler
Zenita Komad: “God Is Not a Cash Machine”
Zenita Komad: „Gott ist kein Bankomat“

Meinhard Rauchensteiner
The Comfort of Questioning
Geborgenheit des Fragens


Felicitas Thun
Rivoluziona la vita! – Zenitas Opfer?

Susanne Längle
At the Beginning was Simplicity

Clarissa Mayer-Heinisch
— Zenita’s Universe – Anleitung zum Glücklichsein

Salvation cannot be bought

Danielle Engelberg-Spera

If one is seeking views on spirituality, then often terms like esotericism, mystical experiences, New Age, self-healing, alternative medicine, etc. are mentioned. “Special offers” seem to promise salvation. In reflection of such opinions, the artist Zenita Komad replies: “Spirituality is not Shopping”— salvation cannot be bought, superficial spirituality is not possible.

Zenita Komad has approached the topic of spirituality in all its details and provides to the audience insights into her fascinating drawings, collages and texts — a suggestion for a comprehensive introspection, encouraging to think about one’s own existence and fulfilment in life.

A separate chapter presents the framework of Judaism and spirituality. Judaism is rich in opinions and puts a lot of emphasis on the importance of asking questions: What does Jewish spirituality mean, does it exist at all? If so, what does this have to do with me? In any case, the term Jewish spirituality applies to Hasidism, the almost ecstatic joy of learning, of religion, tradition, storytelling and songs, or the Kabbalah.

Zenita Komad puts spirituality into context with the wish to transform. For the Museum Judenplatz the artist has created an extensive series of drawings, an oracle and combinations of numbers in reference toone of the most important places in the history of the Viennese Jews. On this square the medieval roots of the Viennese Jewish community are evident. The Judenplatz, then called “Schulhof”, served for one anda half centuries as the centre of the Jewish community, a place of activity and learning, where some of the most outstanding religious authorities have taught, it was then a centre of Jewish knowledge. One of the largest synagogues dominated the square and its surroundings. Here lived a thriving community, known far beyond the borders of the country, but it came to a tragic end with the expulsion and murder of all its members in 1421. It took generations until Jews settled again in Vienna. Today the square is home to the Lessing monument in memory of the important thinker of the Enlightenment, the Holocaust memorial by Rachel Whiteread, but above all, to a very active Jewish community with a synagogue and a children’s and youth club. In the late 1990s the foundations of the medieval synagogue have been discovered, which bear witness to the history of this site.

A spiritual place with a tremendous intensity is now reinterpreted through the work of Zenita Komad. Rebekka Hagg and Markus Mittringer have worked together with Zenita Komad on the writing of the oracles, Rebekka Hagg has written a poem for this purpose and transformed it into a film. Chief Rabbi Paul Chaim Eisenberg has added to this discussion a unique finishing touch.

The positive internal and external insights of this exhibition are immanent. To name only one of the many important principles: Love your enemies, they give you the opportunity to learn.